" Where contemporary African art is concerned, curatorial endeavours over the past two decades have focused extensively on interrogating recent political developments, primarily within the contexts of subjectivity and identity formation, citizenship, environmentalism and urbanism. These issues have been approached predominantly in the context of post-independence euphoria and its disillusionment, particularly in African countries that have experienced civil strife, voluntary and forced migration and even societal disintegration. While exhibition projects exploring these concerns do well in critically broaching many of the topical concerns and contemporary realities in various regions, they have also tended to result in skewed narratives that frequently, though inadvertently, result in “Afro-pessimism” or situations wherein the continent is positioned as an emblem of perennial crisis. What then might a critical engagement with the subject of love offer us as an intervention?
The Progress of Love at CCA, Lagos opens up a dialogue through presentations that challenge the audience to expand their positions, rethink their preconceptions and prejudices and engage in the multiple ways in which love affects their life. The growing visibility of the role of the performative in contemporary art is in itself akin to a political act. With a younger generation of local artists breaking free from the historical dependence on painting and sculpture, live art provides new possibilities and flexibility for transgressing media boundaries and opening up a space for articulating complex ideas about their experiences and daily realities—a space where art converges with life and impacting the way we critically engage and actively explore love today. " excerpt from e-flux announcement
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