Tonight@16Beaver:
Please join us for an open forum to explore some of the following questions:
Is effective political protest possible inside the arts institution?
How does co-optation work, and can its dynamics be flipped in our favor?
Is political art neither political nor art?
What are the pros and cons of international mobility within the arts?
Is Occupy Museums, or other arts groups, co-opting Occupy Wall Street?
Who are our role models, those who have engaged in effective institutional
change? What are the historical precedents can we look to as we approach
this event?
What are some of the ways other Occupy groups are effectively working with
institutions?
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