sábado, 4 de maio de 2013
Dusica Drazic: New City
Dusica Drazic, "New City" , maquette of the new city, drawings, printed matter, 2013.
New City is a large maquette of a non-existing city. The buildings that this city consists of are chosen from projects that were actually built, but couldn’t reach their potential, missed their purpose and were eventually destroyed (the destruction was always intentional and organized and was never a consequence of war or natural catastrophes). The destruction of these structures was in itself the acknowledgement of their failure.
Find out more hERE
sábado, 27 de abril de 2013
Eisa Jocson: Death of a Pole Dancer
Eisa Jocson (Manila) performing "Death of a Pole Dancer" (2013) .
Eisa Jocson is a pole dancer and visual artist from Philippines. Her artistic work merges both backgrounds, investigating notions of gender, body politics, and power relationships. In her practice, sexuality and strenght, voyeurism and restraint, and vulnerability and violation all collide.
Eisa recently took part in Asia platform, curated by Tang Fu Kuen, for the performing arts festival Exodos in Ljubljana.
sexta-feira, 26 de abril de 2013
Relations
"Relations", shot on the occasion of the 25th anniversary of the Ljubljana's lesbian feminist group Skuc LL, by the art duo Grzinic-Smid, is a compelling visual document that contextualizes lesbian movement in former Yugoslavia. Comprising various generations of activists and dj's, it helps re-construct the history of this powerful movement, emphasizing its artistic and political potential as well as critical discourse and emacipatory politics. In short: Empowering.
It would be interesting, however, to see how the lgbtq movement positions itself in relation to other major social and political upheavals of the 20. and 21st centuries. But that's probably a matter of another film.
Watch Relations hERE
Etiquetas:
activism,
aina smid,
contemporary art,
emancipation,
former yugoslavia,
lgbtq movement,
marina grzinic,
relations: 25 years of the lesbian group skuc ll
segunda-feira, 22 de abril de 2013
NOVO MUSEO TROPICAL
CENTRE FOR THE AESTHETIC REVOLUTION: NOVO MUSEO TROPICAL (SOMEWHERE WITHOUT WALLS): Novo Museo Tropical (Museu without walls) when museums and cultural centres outside of the hegemonic centres remain empty because they...
segunda-feira, 15 de abril de 2013
Building Strategies: Marjetica Potrc
Marjetica Potrc: "Barefoot College: A House" , 2002.
The structure is based on houses created by untrained architects for Barefoot College in Tilonia, India. Equipped with solar panels and able to harvest water, these houses make it possible for the settlement to generate its own energy. This combination of local knowledge, high technology, and the principle of self-sufficiency has won the Barefoot Architects international recognition. (source: www.potrc.org)
The structure is based on houses created by untrained architects for Barefoot College in Tilonia, India. Equipped with solar panels and able to harvest water, these houses make it possible for the settlement to generate its own energy. This combination of local knowledge, high technology, and the principle of self-sufficiency has won the Barefoot Architects international recognition. (source: www.potrc.org)
Archive Utopia: Project Brasília
Brasília, the capital of Brazil, formally dedicated in 1960, seems more
like an architectural myth, a fiction, than a real place. Between the
years 2003 and 2009, the Brazilian-Korean artist Lina Kim and the German
artist Michael Wesely embarked on a journey into the present-day
reality and the archives of this city. One result of their artistic hunt
for clues is the »Arquivo Brasília,« a collection of historical photo
material on how Brasília came to be. While conducting their research,
Kim and Wesely also photographed themselves in Brasília – choosing their
backdrops in part as a result of their archival studies. The
time-exposure photographs exaggerate the city’s utopian character even
further with their diffuse light, providing some unusual per- spectives
on this unique place. (source: KehrerVerlag)
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